How does Miller describe remix culture and global networks in his lecture at EGS? Consider some of the points Miller raises in light of some of our previous readings in this course, particularly Ong, McLuhan, Kittler and Manovich. Consider his specific examples: What parallels does he draw between graffiti tagging, urban landscapes, hip-hop sampling and the internet? How does the concept of the network function both artistically and politically for Miller? What does digital media contribute to artistic production? Write as if you’re explaining and introducing Miller’s work to an audience that is unfamiliar with it.